In Memory of Edith Wharton

Edith Wharton died on August 11, 1937 in France. Wharton was an American writer whose specialty was charting the treacherous currents of elite society, the dynamics of money and class, the tension of the individual railing against the collective. She is associated particularly with early 1900s New York society as its era was ending. Her particular gift lay in the balance between her keen eye and her deep compassion: she skewered her characters in a deft but loving manner. Her books evoke a time long gone, almost willing the scenes to life, almost daring the reader to get lost on her city streets. Wharton is lesser known for her poems, but they were published in popular magazines and in collections as well. This poem speaks beautifully to the age-old insecurity of the artist. No matter if your instrument is your keyboard, your pen, your guitar, your accordion, your pointe shoes, your paintbrush ... you have wondered once or twice where you get the audacity to carry on in the presence of the greats. So do what Wharton did: doubt, but create anyway.

The Sonnet
By Edith Wharton
(first published in Century Magazine, 1891; 43[Nov]:113)

Pure form, that like some chalice of old time
Contain'st the liquid of the poet's thought
Within thy curving hollow, gem-enwrought
With interwoven traceries of rhyme,
While o'er thy brim the bubbling fancies climb,
What thing am I, that undismayed have sought
To pour my verse with trembling hand untaught
Into a shape so small yet so sublime?
Because perfection haunts the hearts of men,
Because thy sacred chalice gathered up
The wine of Petrarch, Shakespeare, Shelley—then
Receive these tears of failure as they drop
(Sole vintage of my life) since I am fain
To pour them in a consecrated cup.

 

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